|taken by photographer: Rich Prugh|
Laura Davis: Where do you write? Paint us a word picture. Put us there. And that other place you like.
Jessica Piazza: I think I can write anywhere, but I've probably done my best work out in the world; in coffee shops and that sort of thing. I like the white noise. I like remembering I’m not alone in the world, and that these words will eventually belong to people who aren’t me. I like the expectation that I am somewhere for the sole purpose of doing work and I will not go home until I’ve done some.
Of course, like for so many of us, the Internet kicks my ass and distracts me. But there’s a coffee shop called Conservatory for Coffee, Tea & Cocoa in Culver City where there’s no WIFI during busy hours, and that’s really helpful as a buffer against procrastination. (Though I wasn’t able to write my dissertation chapters there! The Internet is key for research in my world.) But anyway, it’s a tiny place with these burlap sacks and barrels with amazing coffee beans and such, and it smells good in there. Also, the chairs and café tables and cramped space are actually a little uncomfortable and – is it just me? – I feel like being slightly uncomfortable in a work space actually helps me be productive. I don’t get too placated or drowsy because of the environment, which makes me remember why I’m there and what I’m supposed to be doing.
LD: Describe the process of making a recent poem or story. Lightning? Slow-dripping faucet? How long did you work on it?
JP: There was a fun one I did a while back that went pretty quickly, despite a multi-layered creation process. It was a piece for The Book of Scented Things, an anthology project from The Literary House Press. Contributors were sent a tiny vial of a perfume and asked to use it as an inspiration for a poem. The perfume they sent me was called Ophelia, which couldn’t be more perfect for several reasons. The obvious one is, well, Shakespeare! But the other is that I was working on a chapbook at the time, a series of ekphrastic poems based on famous visual artworks, and I love Millias’ painting “Ophelia”. I thought it would be an interesting crossover to write a poem that would work for both the anthology and the chapbook, so I researched the perfume online to discover what the notes were, and tries to incorporate some of that information into the poem about the painting. It was especially fun to try to find a place for the scent notes I loved in the perfume like orange, musk and lily. (And I ended up wearing that perfume at my wedding a few months later, which is pretty cool.) It was fun to use so many bits of inspiration (the art, the perfume, Hamlet) and synthesize them into one piece, especially by turning the different sensory images on their heads, as when I used the orange scent from the perfume to describe the light in the painting. Anyway the painting is resplendent with flora and so getting some of that scent/image synesthesia going was pretty easy.
The anthology will be out really soon, and the chapbook – This is not a sky – is now available for pre-order from Black Lawrence Press.